Verona, We Love You
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Piazza Erba |

A glimpse of the elegance. |
View of the garden entrance from The Apartment. Castelvecchio Museum |
Verona, We Love You
![]() |
Piazza Erba |
A glimpse of the elegance. |
View of the garden entrance from The Apartment. Castelvecchio Museum |
Bergamo
In my two previous trips to Italy, I became enchanted with the hill towns of Tuscany and Umbria. Because our plans to go south from Milan changed, we looked for a hill town near Milan which landed us in Bergamo Città Alta (the hill town surrounded by 16th-century Venetian Walls.) The train station is in the lower modern city, so getting up to the Bergamo Alta meant finding the funicular or getting a taxi.
As you can see, it is a popular tourist spot, but we found it interesting to sit at a piazza and watch the families, dogs and couples wandering by.
The most famous piece of architecture here is the Santa Maria Maggiore. Because of the way the town is built, you never get a complete view of the Basilica and the walk around it includes other buildings which are attached to one another.
Built in the 1500s, it has some astounding art/sculptures.
One of the great things about this town is that you can walk around the entire hill town, following the Venetian Wall. It is also a way to get free of other tourists! (Being country folks, Mike and I always look for ways to away from the crowds.)
I hope you enjoy the views
St. James Gate, made of polished marble! |
I recently returned from a great trip to Italy. Mike and I have both been to Italy before, but this trip took us to new places, all in Northern Italy. We are fortunate to have a nephew and his wife living in Milan, so our visit started and ended there.
Milano
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I'm not in Oregon! |
My sister Janice admiring a stone roof top. |
San Gaudenzio Church dates back to the 12th and 13th century. The Romanesque facade is completely stone. |
Stubbornness is a quality that can be a blessing and a curse. For my art life, obstinacy comes forth when I create a painting that does not come out as well as I hope, yet I don't want to shred it. If you read my last blog I talked about working on a paper that sometime in the past I'd applied a substance, matte medium, keeping the paper from absorbing watercolor paints.
It was a struggle to put paint on it and when done the painting needed to be cropped leaving only the top of the painting to be worked on. Today I finished it in a way that I am satisfied enough to put it in a frame and say "done"!
Here are the steps of creating "Round and Round They Go."
The beginning sketch
Yesterday I grabbed a 1/2 sheet (22" x 15") of white watercolor paper out of a drawer to start a new piece. My intent was to make a painting that would simplify the elements of my pond in a more abstract form. The shape of the pond itself explains, in part, my inspiration for my recent Kimono/Pond paintings, so confining the water into a kimono shape was the start of the painting.
The elements I wanted to include are Kimono shaped water, plants, rocks, and fish.
Surprise! As I put paint on the paper, the paper didn't absorb the paint. I had picked up a piece of paper that sometime in the past I had covered with a coat of matte medium which prevents the paper from soaking up the watercolor. So what could I do? I could have moved on to using gouache or acrylic or ditched the sheet and picked out a plain watercolor paper, but I have this stubborn experimental streak, so I continued with transparent watercolor. Here are some things I learned:
one must let the liquid paint dry before adding more paint
the color can be easily lifted
it's hard to get a flat looking area
there are little white parts that will not take color
and finally, I doubt I'll try this again.
The good part of this adventure is that I persevered and learned some stuff.
Let me know what you think of the results and scroll down to check out Mike's advise.
Mike's thoughts--crop it.