As so often happens, words spoken by art instructors come to mind as I begin a new painting. Frank Webb's quote, "It's only paper," comes up at the beginning and often throughout my painting process. With that in mind, and Fran Larsen's "What if? Try it," I forged ahead on this new "egrets in flight" painting. This time I am using a different mix of colors and learning more about controlling the spray of a mouth atomizer.
I put on my blue film to protect the sun and the birds, then sprayed away with a cobalt blue/burnt sienna at the top, and pyrrol orange mixture on the bottom of the long piece of paper. This was a "what if" sort of moment because I was using two color mixes that I'd not before applied in this way. As I sprayed, I questioned how the combination would look as they met. Stepping back, I decided it worked. What do you think?
In my previous egrets in flight I painted the birds next and finished with a landscape for the bottom portion of the piece. This time I decided to create the bottom using more abstract ideas and pen and ink. In this way I am inviting my newer graphic art tendencies into my watercolors.
Then on to the birds--to outline or not to outline, that is the question. Following Fran's "What if," I went with the outlining. The use of the pen and ink on the birds, helps create unity in the painting.
Finally came the work on the small birds--those egrets left a little earlier and led the morning flight.
I really liked the white images, but decided to make them misty. I applied a gray made with cobalt and burnt sienna, then lightly lifted the center of each bird, creating a softened sort of outlining.
My final "what if" was what if the sun hits the small bird's bellies? So you will notice each small bird has an added a bit of color to their lower portion. I am satisfied that the tiny bit of color helps tie the top to the bottom of the painting.
Sunrise Flight 30"x15" Mixed Media |
1 comment:
Very interesting to follow your thought process. Love the psinting.
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