Encounter is a painting that I've been looking at for a few weeks now. I've had it propped up in my viewing spot, giving me the opportunity to let a lot of niggling take place. With the critiques from my art friends Ruth Armitage and LaVonne Tarbox Crone I have made both significant and minor changes.
In the last two days, I finally got rid of my layer of clear water. It took me awhile to realize that I wanted it there, but it didn't belong there. The herons are the story, and the nearly white water competed with the story. The incorporation the mucky wet area into the water certainly gives more power to the birds. I also worked on bringing more of the oranges down into the lower abstracts, softening corners and making the shapes more organic.
Another art friend, Kathy Tiger, who takes a philosophical approach to critiquing art, asked me what I thought the layers or strata I often use represent in my life. I'm still pondering that one!
Let me know if you prefer the before or after. (Click on an image to enlarge.)