September has been quite a month! It has flown by and many different aspects of my life have collided, making the month memorable.
First we had a five day white water raft trip to prepare for and experience. This year we invited our friend Julie for her second trip, and Joe for his first. Julie we met in Hilo, Ha, and she has since moved to New Orleans. Joe is from L.A. Although they don't have much rafting experience, both are enthusiastic volunteers who pitch in whenever/however they can.
Preparing for the morning launch.
Julie arrived two days early and we spent an entire day in the kitchen as Julie prepared a dish to trump her last year's jambalaya. This year it was shrimp in picant sauce, certainly equal to the jambalaya. And then her cookies and salad to accompany the main dish were to die for!
Julie and Mike on the river.
Our group consisted of four rafts and one hard shell kayak. We planned a longer trip, 5 rather than 4 days, which allowed for a layover day. That sounded like a great idea until we got a week of fall rain prior to the trip. Sitting on a raft or in camp is not nearly as fun when one is wet and cold. However, the morning of our trip, the weather changed to a lovely, sunny day and that weather continued throughout our trip.
Our group.
As always, the Rogue River is rich in wildlife. We saw more Great Blue Herons than ever, and they were not shy.
David (Mike) worked diligently on his skill with a sling, in preparation for meeting Goliath (bear), which never happened. But look at the rich stock of ammunition he had!
There are many things I really enjoy about a fall trip, one is certainly the autumn light, lower and richer in color. I especially like the morning light.
My niece Cathy, back lit with morning light.
Although no one in our group wears a helmet, it is not a bad idea. Our friend Joe came prepared for adventure and any mishaps that might occur.
Joe wearing helmet.
And were there any mishaps, you might ask? We did not flip, or even have a tube go underwater, but Mike did once again come up against his personal Rogue River Nemesis, Mule Creek Canyon. Or should I say #@$$%# Mule Creek Canyon. This is a stretch of water where the river narrows into a long rock cliffed canyon. The hydrolics are amazing, unpredictable and have parts named the Coffee Pot, because you go in and get percolated!
On the next to last day, we got on the river and had the two hardest parts of the trip ahead of us: Mule Creek and Blossom Bar. This means that all rowers start getting pumped full of the adrenalin necessary to maneuver the large heavy rafts through these class IV sections. Mike is always particularly nervous about Mule Creek and this time was no different. We were third in line (the kayak and its paddler were on a raft through this.) We watched as the two rafts in front of us traveled through the early sections and it looked like a pretty smooth ride for both.
We inched our way forward into the most turbulent part of the canyon. Suddenly the river god reached up with a hand, grabbed the raft, and nailed us to the canyon wall! It was incredible, because here in this amazing water, we were just still, not moving anywhere. There was a slight sideways to and fro, but the stern was stuck, right against the wall. Mike pulled on the oars with all his might for several minutes, but nothing happened. I got a bit alarmed when he announced he was taking a break! How the heck do you take a break in a situation like that? But soon I heard him making the most primeval growl imaginable. I felt,through the raft floor, his entire body push against the water with the oars and finally we broke loose. Later we talked about how long we were paralyzed by the river--the guesses were anywhere from 3 to 30 minutes. No one was watching a watch!
But we weren't done yet, we had Coffee Pot ahead of us. And our rower was almost tapped out. As luck would have it we had to take a spin or two there before we were done and on our way through the last milder part of the canyon.
I'm including a link to a video of someone else's ride through Mule Creek, in case you are interested in seeing the place.
http://www.youtube.com/watch?v=VNFht-5Y0-s
It's hard to tell how much that experience is going to effect the rower's ability to do the next rapid, Blossom Bar. In this case, Mike did an incredibly clean run through Blossom Bar. We didn't kiss a rock!
On the last day, on a wide smooth stretch of river, I took this photo of this lone tree, attached to a rock. Once again we said goodbye to a wonderful trip through the Wild and Scenic portion of the Rogue River.
Arriving home, I had a letter of acceptance from the Hawaii Watercolor Society. Last month I sent off two digital images, and my painting "Jungle Ginger" was chosen for the HWS Open Show. Inserted into the letter were comments from the juror, Linda Kemp. This is a first for me and a very nice touch. I think every artist wants to hear why a painting appeals to the juror.
"Both of these paintings are interesting and dramatic! The broken shapes, pattens and use of texture are quite exotic. My choice was influenced by the rich darks and less defined forms in Jungle Ginger."
My month is ending meeting a new grandchild, Hannah Grace Carter. My younger daughter had an induced labor, so Mike and I were able to be there to help out with the other two children while Rachel and Josh concentrated on the new baby. I'm staying here for a few extra days while Rachel and Hannah rest up and the rest of the family adjusts to this change.
Hannah is perfect in every way!
Rachel and Hannah this morning.
Thursday, September 23, 2010
Wednesday, September 1, 2010
Red, White and Blueberries
Thank you, Ruth, for the idea to use a dark color rather than black to add the punch to this piece. Although, I see that on my monitor the darks look almost black, they are a dark maroon/purple. The black was too harsh, but the added darks enhance the playfulness in this painting.
Something I did differently here was to use watercolor paint rather than acrylic for the added darks.
Red, White, and Blueberries 14 x 21
Something I did differently here was to use watercolor paint rather than acrylic for the added darks.
Red, White, and Blueberries 14 x 21
Tuesday, August 31, 2010
Inspiration for a Fun Piece
Just by getting out and painting everyday, I have broken through the block I was feeling a couple of weeks ago. I produced two nice realistic pieces, one loose, quick figure study and continued into a more abstract creation yesterday. My inspiration for this piece was a green, one pint berry box and 11 pound of blueberries my husband and I picked on Saturday.
I started with a white shape, and pulled out a couple of collage sources.
Next I started a background, keeping in mind the round shapes of the blueberries.
I continued to add color and more circles to the background.
Then I added the basket and berries.
Here's the piece with color added by the mouth atomizer.
Now the collage pieces have been glued on.
Red, White, and Blueberries 14 x 21
Just before leaving the studio tonight, I taped on a few pieces of black paper. I would use black acrylic paint to make permanent marks. Now I have to decide whether I like the additional black or will I leave it with only the reds and blues. I'll sleep on it and take a second look tomorrow morning.
I started with a white shape, and pulled out a couple of collage sources.
Next I started a background, keeping in mind the round shapes of the blueberries.
I continued to add color and more circles to the background.
Then I added the basket and berries.
Here's the piece with color added by the mouth atomizer.
Now the collage pieces have been glued on.
Red, White, and Blueberries 14 x 21
Just before leaving the studio tonight, I taped on a few pieces of black paper. I would use black acrylic paint to make permanent marks. Now I have to decide whether I like the additional black or will I leave it with only the reds and blues. I'll sleep on it and take a second look tomorrow morning.
Labels:
added black acrylic,
inspiration,
red,
white and blue berries
Friday, August 27, 2010
Am I Done?
As with the painting "Sisters," this picture of the two Italian ladies continues to be fine-tuned.
After cleverly changing the hand using the flip/mirror image trick, it was obvious that the hand was misplaced. Her arm was awkwardly elongated. Yesterday I scrubbed it out, to replace it closer in on the figure's lap.
I also removed some of her right shoulder that was too angular and broad. I also scrubbed out some of the back to add back in some variety I'd lost with the many washes. I also let some warm color wash down through the bottom part of the painting.
So is it done now?
After cleverly changing the hand using the flip/mirror image trick, it was obvious that the hand was misplaced. Her arm was awkwardly elongated. Yesterday I scrubbed it out, to replace it closer in on the figure's lap.
I also removed some of her right shoulder that was too angular and broad. I also scrubbed out some of the back to add back in some variety I'd lost with the many washes. I also let some warm color wash down through the bottom part of the painting.
So is it done now?
Thursday, August 26, 2010
From Tight to Loose
Yesterday I once again joined my friend La Vonne to work on another painting from Italy. You've seen it before, but I took it to La Vonne's for her expert critique. Although I felt it was done, she was able to help me improve it in one large way and several small.
Here is "Sisters" before.
The large improvement was to wash down the street to get rid of the "connectors" I had added and lightening the street in the distance and to the left. I did a bit more of a wash in areas and then redid the splatter, ending up with a much better street.
I also curved the skirts, blouses, pants and nun's wimple, changing the rather straight, stagnant shapes.
I also worked on softening the edge of the shadow to light on the left, reshaped the plants, and finally added the touch of color several folks mentioned a lack of by adding a red logo patch to the backpack and red trip to the nun's bag.
And here is the result--I consider this painting a job well done!
Sisters 18 x 21
So after finishing this rather tight, realistic painting in my studio, I took off on a different approach to a figure painting--loose and juicy. This is my interpretation of Liz, poet/gardener--done in one afternoon.
Liz 21 x 18
Here is "Sisters" before.
The large improvement was to wash down the street to get rid of the "connectors" I had added and lightening the street in the distance and to the left. I did a bit more of a wash in areas and then redid the splatter, ending up with a much better street.
I also curved the skirts, blouses, pants and nun's wimple, changing the rather straight, stagnant shapes.
I also worked on softening the edge of the shadow to light on the left, reshaped the plants, and finally added the touch of color several folks mentioned a lack of by adding a red logo patch to the backpack and red trip to the nun's bag.
And here is the result--I consider this painting a job well done!
Sisters 18 x 21
So after finishing this rather tight, realistic painting in my studio, I took off on a different approach to a figure painting--loose and juicy. This is my interpretation of Liz, poet/gardener--done in one afternoon.
Liz 21 x 18
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